Tuesday, January 31, 2017

My Father Took a Chance on Muskoka

My Father Took a Chance on Muskoka

It was the winter of 1966. Our snug little family of three was on the move from Burlington, Ontario, to the 45th parallel of latitude. On our merry way to the small town known as the summer home of Santa Claus, at the internationally famous Santa's Village, on the Muskoka River; situated in a pinery just beyond the urban boundary of Bracebridge, in the beautiful district of Muskoka. My father, Ted Currie Sr. had secured a job with the historic Shier's Lumber Company, in Bracebridge, and it was a good enough opportunity to warrant leaving the city and its opportunities behind. What an amazing adventure.
The summer before,our family had stayed at the company owner's small cottage property, on Bruce Lake and we all admittedly were smitten with the lakeland. I was eleven years old at the time and the thought of swimming in a lake and running through the forest, seemed far more attractive than my present life, pounding the tarmac of the urban jungle and swimming at a public pool. I was ready to go with the flow, you might say. The rest is family history.
When my father and mother Merle arrived in Bracebridge, our first neighborhood was up on Toronto Street, in one of the new spec. houses built by Shier's Lumber, and its proprietor at the time, Bob Jones, who had known my dad for decades in the Southern Ontario lumber trade. It was to become a tumultuous relationship, with many resignations, and in those first ten years my dad held down a number of jobs in and outside the lumber industry to keep us in Muskoka. He knew it was the best place to raise a kid and it was......just as it was a great place for both Merle and Ed who made many friends in their apartment situation up on Alice Street, which was properly known as the Weber Apartments, a sort of 1960's commune of really nice folk who enjoyed each other's company....and games of cribbage and euchre long into the winter nights. The longer we stayed in Muskoka, the harder it was to leave.....not because of circumstances but because we all really enjoyed living in a country town with the privilege of being called a "local." Mind you, that took more than a few years but was worth the wait. It's not to suggest small town living was easy because with opportunities being less, particularly in the case of employment, one had to hunker down sometimes in adverse conditions, at a task not fully enjoyed. I personally held many jobs I didn't like in Muskoka, just to be able to afford my ongoing stay in the region.
My mother died in May of 2007. On the 15th of December 2009 my father had a small stroke at his apartment in Bracebridge, and has been in hospital ever since, with a number of serious medical issues that will most certainly adversely affect his quality of life in the future. We have spent many hours with Ed in the hospital, talking about fond memories and our happy days in Muskoka. I'm not sure if he believes my bestowed gratitude for his determination to make our Muskoka experiment work. I've spent more than 30 years writing in and about Muskoka for the local and provincial press, and I've never been without a source of inspiration. Today I'm writing from a book cluttered office in a modest homestead we call Birch Hollow, surrounded by snow-laden evergreens and leaning old birches, across from a wonderful little wetland we call The Bog. I can look out this small window and find inspiration each season of the year, whether it’s from the shadowy, silver appearance of iced-over rasperry canes in the front garden, or the beautiful sprays of lilac blooms that push toward the sky in late May. In the autumn evenings, the moonlit forest might appear as Thoreau saw his Walden Pond on star-filled nights, and as I drive along the Muskoka River, on a visit to Bracebridge, I can imagine it as author Washington Irving interpreted the historic Hudson River, passing in deep, misty silence past the village of his own Sleepy Hollow. Irving did have a hand in the naming of Bracebridge proper, as it was borrowed by a postal authority, in 1864, from the title of a famous book of sketches, known as "Bracebridge Hall." Long before I researched this, and subsequently wrote a book about the relationship with Irving, my mother had always referred to her new home in the hinterland as "Sleepy Hollow."
No, I could not possibly be without sources of inspiration here in the beautiful lakeland, and I have my father to thank for enduring many hardships to keep our family in paradise.
We are still on that precipice of the unknown with my father, a worthy adversary of life challenges.......admittedly he is aware of the serious nature of this latest illness but never letting it get in the way of present determination to see his grandsons or hear news about his many friends and former co-workers.
My dad and I were born argumentative and there was enough Irish in him to frequently and with near-glee, initiate a no-holds barred debate.....and enough English stubborness in his son, to always make the log-jams interesting whether about hockey or politics, current events or future predictions. As he never walked away from a fight in his life, I refused to let him plant the last word, and if we had recorded these little spats for posterity, they'd show a father and son who loved a good scrap more as practice-rounds than for settling anything specific. Merle used to say "You two are crazy!"
He was the sailor-dad who didn't run to the school every time his son came home with a black-eye or bloodied nose. "Soldier on, son," he'd say. "Put up your dukes and defend yourself." Good advice in his day and with his demeanor but the more I tried to defend myself, the harder and longer the beating got. But I knew where he was coming from.....this afterall was a guy who grew up in Toronto's legendary Cabbagetown, was abandoned by his Irish father with his three brothers at a young age, joined the Navy under-age, and manned an anti-aircraft gun on his ship, a River Class frigate, the Coaticook. A kid with a big gun trying to down German aircraft. He wasn't raised to be tough but to survive he had no choice but to be tough.
What I didn't know until recently, was that my father had taken a lot of flack about his son the writer, reporter, editor, historian that I didn't know about. When I began writing for the local press, back in the late 1970's, his desire to have three generations of "Edward Curries" kind of backfired. As his father had been named, "Edward," and he was granted the name as well, he saw little disadvantage naming me Edward as a kind of a family hat-trick. I began my writing career as a poet/bard and that caused him chagrin, when his lumber customers began teasing him about moonlighting as a country philosopher. "That's my son....certainly not me!" When I became a reporter for the local press he got many more adverse comments, particularly if I had been working on a crime story that issue, that involved friends, neighbors and kin of his customers. While they knew it wasn't Ted Sr. writing the news copy, they couldn't resist unloading on him about his stupid kid who had tarnished their good family name. He internalized a lot of it of course. I knew it bothered him generally but we really never talked about it. We both needed to make a buck and afterall it was his choice to name me Edward........both of us being called "Ted". To ease his suffering in silence, I changed my byline to Edward Currie from "Ted" for several years but it didn't really work. On the other hand, I had hundreds of phone calls home asking questions about lumber and accessories.......the callers believing I was their main man at Building Trades Centre, where he became the eventual manager in the 1990's.
Since my mother Merle passed away, Ted Sr. has been pretty lonely. He and Merle used to take scenic drives every day, winding up having coffee at a variety of local restaurants, where they celebrated the good qualities of rural, small town life and times. When I think back to the many times, since 1966 that we faced the question of whether to stay or go, leaving Muskoka for job opportunities in Southern Ontario, we always managed to find a way to bridge the problem, and preserve our adored way of life.
When Merle and Ted Currie decided to move to Bracebridge back in '66, they were in fact extending me a creative future beyond their wildest expectation. Because of their belief, living rurally was better for raising a family, my own parallel future in Muskoka led me to marry a local girl, Suzanne Stripp, of Windermere, and raise our own family, Robert and Andrew, now businessmen in the Town of Gravenhurst, in South Muskoka. And when I try to express this to my father now, his eyes still have that old sparkle......meaning to me, at least, he's contented with his choices in life; some that didn't work as planned, others that worked magnificently well. When I think back to the books I've written, sitting at this same desk, with this same wonderful view, and recall all the late night vigils I've happily occupied this office to pen feature stories and columns for so many publications, the feeling is unmistakable contentment, on my part, that I did "soldier on," and fight all adversity that might have forced me to move away.

This morning is calm and slightly overcast. The intense wind of the past few days has ceased and the snow flurries have finally stopped. I think the sun might soon break through the cloud cover, and dazzle down on this snowy mantle across Birch Hollow. I will always think about my dad's own passion for the countryside I watch over now.....and wonder how a Cabbagetown boy got so interested in the hinterland......but I will always acknowledge that it was Ted Sr., who forced this place on an eleven year old child. How thankful I am that he was a visionary but one who never ever, not once, wrote a poem. He did however, on more than one occasion, sing his Navy song about the legend of "The North Atlantic Squadron." I only remember several of the verses but the melody will be hummed forever.

Monday, January 30, 2017

It's All About History When It Comes Down To It!



ONE PROFESSION HAS FUELED THE OTHER TWO, AND IT'S ALL ABOUT HISTORY WHEN IT COMES DOWN TO IT!

     Who are antique dealers anyway? What makes them special guardians of our heirloom articles? Are we the kind of characters at our task, as might have been penned for fiction by Charles Dickens or Washington Irving? In my day, of initial apprenticeship, the answer would have been a resounding "yes," because most of the mom and pop stores I visited, were the sanctuaries of eccentricities with an atmosphere of history and legacy; such that a tadpole like me would have been abundantly fortunate to have been chosen as a worthy candidate for an apprenticeship. Many were scholars in antiques, no doubt about it, and it took many visits to these hole-in-the-wall dens of antiquity, to be accepted as a student of the lifestyle. Just so you know, being a truly successful antique dealer demands it as a lifestyle, not solely a day time business. You marry the profession, quite simply, and I recited by oath of allegiance before I was twenty. Yes, I suppose, I might also be considered as having a Dickensian character, but Suzanne refers to me as the very image of "Old Joe," the author's choice as the second hand dealer in his book, "A Christmas Carol." I'm okay with that reference.
     Along with this however, comes a few eccentricities that some people find quite annoying. Other dealers of tenure understand our quirks. Consider this small one as an example. We have a lot of heirloom and gift possessions that were given to our family as keepsakes and inheritance that we do not wish to sell. But, we do very much desire to share them with our patrons, because we are, by experience, former exhibit curators at the Bracebridge Sports Hall of Fame and Woodchester Villa and Museum. We don't have hundreds of "display only" pieces, but maybe fifty or so, that include some preserved critters, like a fox and squirrel, and a small dinosaur bone kept in exhibit showcases. Andrew has some very old percussion equipment on a special shelf about five feet off the floor, and we have some vintage art and photographs that we have clearly identified as for display only. A lot of our customers are okay with this, and are thankful to have had the opportunity to view them. This pleases us, as it is a credit to not only our family but to the fine folks who have donated these pieces for display. But in the mix, we get quite a few individuals who will ask for a price on items clearly identified as being "not for sale." When we inform them that these items are not up for grabs, they will retort with great hubris, "Everything is for sale for a price!" Wrong thing to say to folks like us, especially the historian side of the business. This is when we walk away and get on with the business of the day.
     Just a few moments ago, a customer took down a vintage picture hung high on the wall, and brought it to the counter to enquire about the asking price. The "not for sale" sign was clearly posted on the top of the picture, and actually fell in a flutter as he lifted it down. He was insistent that he wanted to acquire the photograph, which was given to us as a gift by the way, and offered a considerable amount of money. The photograph has some age related problems, and in terms of valuation, it wouldn't be worth even half the amount offered. Suzanne refused the offer, based on the fact it was a gift, and the very obvious intrusion on our privilege to have display-only pieces in our shop. Son Robert just placed it back on the hook over the studio door where it has been since last Christmas season, when it was presented to us by our neighbor antique dealers. It's where it will remain until, that is, the next wise acre decides to test us on the theory that "everything is for sale for a price." Untrue. And this short story should prove this once and for all. We are a business after all, and money should tempt us, right? Well, we also have our privilege to over-rule a customer on this matter. In return we're called all kinds of nasty names, and told we'll be out of business in a few months, and "then we'll be able to buy these things at the auction you'll being having to fundraise." We let them know their right to an opinion on the matter, and move on with the work of the day.
     Maybe we are unique in this regard. We offer no apology however, and don't have any intention of changing our point of view on the issue of offering our customer items "on exhibition-only". There's no admission fee so it's bargain priced. This isn't to suggest that our family wouldn't consider a later period donation to a museum or archives, as we have done this in the past. On several occasions we didn't even get a thank-you note, but at least the public, in those communities where the museums were located, benefitted from our donation. At least we like to think so.
     My background is a tad unusual in this regard, and the items I am drawn to are usually of an historic characteristic; which does often put me in the precarious position of owning important ephemera, being documents and journals dating back as far as a century or greater. I use the material most of all, for the development of feature stories for the media outlets I've been connected, such as Curious; The Tourist Guide. I have a large archives at my beck and call, and considering the amount of writing I do on regional history, I can't afford to donate them at this time. I am very cautious about preservation of these materials as a former museum staffer, so there's no worry they will disintegrate in my custody. Suzanne was a school librarian as well, for the final years of her career, and handled a great deal of heritage paper work.  
     There was an opening segment to the Ray Bradbury Theatre shows on television, quite a few years back, that always reminded me, well, "of me!" It shows his desk and office, and all the neat things he had collected, and had on display, close beside his typewriter. A well known writer and specialist in the science fiction genre, he claims in the introduction, that he could never be without inspiration, or bored for that matter, being surrounded by all this clutter of interesting collectables. You should see my office clutter. It's also quite true, that I am seldom without the inspiration of these strange inanimate objects. Here's why this has always been important to me.
     It's been noted previously, that of my careers, I became a collector before I turned to writing as a profession. I became a regional historian quite by accident, largely because of my early association with the Bracebridge Historical Society, and then Woodchester Villa and Museum, of which I was one of the founding directors. When I became employed at around the same time, with Muskoka Publications, the oldest newspaper in South Muskoka at the time, I was provided access to a huge array of old newspapers and piles of Herald-Gazette produced histories which we sold over the front counter, at 27 Dominion Street. Coupled with this, was the fact, as editor, I had a huge volume of white space to fill in our newspaper each week, and the back editions of our papers, dating well back in the century, inspired me to work my way through them, on the weekends, finding all kinds of feature material for re-publication. It was like sitting on a community archives, in the former Herald-Gazette building, and there's not question, this was my humble researcher's beginning to a pretty long stint as a local historian.
     Thus, I had an antique shop at the same time as I assisted the creation of a community museum, being Woodchester Villa, and my employment there, gave me unlimited access to almost the entire history, in written form, of the District of Muskoka. I utilized every morsel of information, and the stories that were generated from the huge piles of old papers, filled thousands of pages over ten years of work, in the Herald-Gazette, The Muskoka Sun and the former Muskoka Advance. And as a result of this cultured exposure, I was then turned-on to the books turned out by The Herald-Gazette Press, and then of course, to any book with a Muskoka heritage theme and purpose. All these years later, I'm still collecting these books, but now it's for our Muskoka collectors, who cherish these titles as much as I have for all these years.
     There reason I offer this information, is to somewhat explain that my obsession with local history had an honest start, and it didn't come about due to some type of trauma, or childhood disappointment. Here's the thing, and it's a big one for me. I have never, except for an hour or more, suffered from writer's block. I always get a kick out of the scene from the movie "Funny Farm," with Chevy Chase, who plays a sports writer who abandons the city, for rural digs, in order to write a novel. He can't get past the title which is "The Big Heist." Something always comes up to distract him from the white paper rolled into his manual typewriter, on the desk in his writing room. Even the birds chirping upsets his creative balance, such that he throws coffee at the feathered interloper.
     On the other side, his wife, feeling rather dejected in their new rural neighborhood, buys a stuffed squirrel in a small antique shop in the community of Rosebud, and it becomes the main character in a children's book, which is accepted for publication by the same firm that had given her husband, the professional writer, a significant advance to write a novel. It comes down to the stuffed squirrel, she names Andy. It was a collectable purchase from an antique shop, that went on to star as the main character in a successful book for children. It represents about a thousand pages from my own story, because as it turns out, my inspiration to write has always had something or other to do with the stuff I have surrounded myself with, from about the age of six. Like Ray Bradbury, I have kept these small, strange sources of inspiration close to me, because they make me feel good. That's the long and short of it, and I can make money selling them off to collectors, when I've found replacement pieces; which is pretty much weekly in my profession. Would I be unable to write if I was without these creature comforts. Well, even on my office desk at the former Herald-Gazette, I had a plethora of objects important to me, and when I wrote from the loft of the former McGibbon House, on upper Manitoba Street, the attic space was jammed with articles destined for our store inventory, in the shop space on the first floor. I have never tested myself in this regard, and considering, like most writers I am fearful of writer's block, I make sure there's enough collectable material, that suits my interest, in place, all of the time. Even now, in the studio of the shop, I am surrounded by neat and storied things to look at, so yes, it means I will have a prolific day on this keyboard. If I have work to do at home, to finish a story, I've got even more to look at, in terms of paintings, spinning wheels, my oil lamp collection, and did I mention, Suzanne vintage sewing machines. I enjoy the look and operation of these old units as much as Suzanne enjoys working on them.
     So when I'd attend an auction, in the early going before opening my first shop, I'd haul the items home, and load them into my bedroom or workspace. In the evening, sitting a listening to the radio (my other calming tool), I'd pull down the old Smith-Corona manual, from the shelf, and spend a couple of hours writing short stories. When we opened our first antique shop, in Bracebridge, I had a back room as well, where I kept a portable typewriter, and a larger unit on a desk in the attic; by a wonderful window that looked down on the beautiful Norway Maples lining Memorial Park on Manitoba Street. Honestly, the former home of Dr. Peter McGibbon, back in the late 1970's, was a most incredible nurturing ground for antiques and writing. It was also the first meeting place of the soon-to-be formed Bracebridge Historical Society. When I feel the necessity to explain my background in antiques, writing, and local history, I really find it above-all, to credit the warm and inspirational background of Dr. McGibbon's fine homestead; that was most definitely haunted but in a most positive sense. I began working in three professions because of that early century home in the middle of the urban community. I've made sure ever since, to build somewhat the same environment wherever our family has come to live and work. It's when my background qualifications are challenged, and it's assumed that we just arrived in this community a few years ago, from the urban jungle, that I feel best keeping the peace, asking these folks to do an online search of my name; so much more expedient and thorough than me trying to explain it all verbally. If I put you to sleep via this story, I won't see you head tilt to the side, and eyes close. In person, I get to watch sleep overtake the listener, because it's not a very exciting tale. It's just a necessary backgrounder, and it does represent our credibility in the antique profession, at a time when competition locally is at an all time high. The bottom line here, is that I've earned my stripes as an apprentice for almost forty years. I'm still learning because our business demands this afterall. There's always something more to learn. Some of our contemporaries believe it is as simple as throwing out a shingle with "antiques" scribbled onto the surface, to qualify as an antique dealer. It just isn't that easy, and they find this out, unfortunately, when collectors and true antiquarians challenge the authenticity of their inventory. This happens a lot in our industry, making it necessary to know you stuff or face the consequences.

Sunday, January 29, 2017

The Antique Shop In The Autumn


THE ANTIQUE SHOP IN THE AUTUMN - BRINGING THAT "HOMESTEAD HARVEST" AURA INDOORS

     As a snotty-nosed, dirty-faced kid, growing up on Burlington's Harris Crescent, a block up from the Lakeshore, the autumn season was deliciously haunted and abounding with nostalgia; at a time when, for gosh sakes, I had no idea what that all meant. As my mother always told our friends, "Teddy is an old soul," which I later understood it to mean, in her opinion as my birth mother, I had lived many times previously, putting some miles on an apparently well travelled soul. I probably started a few wars in my day as well, like the ones I used to spark here in South Muskoka, with my political agitating.
     Everything I work at today, whether it is a writing project, or hunting and gathering antiques for our shop, I can trace it back to those beautiful days of youth, mucking about in what I always believed was a story-book neighborhood, with neat 1930's vintage houses and apartment buildings that were simply adorned and highly functional as safe dwelling places for many families. I believe I was about a year old when we arrived at the Nagy Apartments, and at about five years of age, after a brief apprenticeship as a neighborhood voyeur, my mother set me loose to discover the actuality of the home region. It was great. There were two cul-de'sacs at both ends of Harris Crescent, and in the middle was a market garden, that seemed to always provide the scent of fresh produce and rich earth. I could hear the sound of laker fog-horns on the way to school on misty autumn mornings, and the hunting and gathering of chestnuts was a favorite time of year for me, as I collected hundreds of them to and from school. There were chestnut trees at the bottom of Torrance Avenue, that rose gently from the Lakeshore Boulevard, connecting with Harris Crescent at the top of the hill. On the hillside, about halfway up, was an old brick house, part of a once important estate, backing onto the green belt we called the "Ravine," where Ramble Creek babbled its way down to Lake Ontario.
     It was very much like many of the Trish Romance paintings of grand estates, set into magnificent, towering hardwoods, with their painted leaves and play of light and shadow throughout the day. It was a house that was about to be demolished, after a period of several years being abandoned to meet its fate. I felt sorry for that magnificent structure.
     When I wander through our Gravenhurst antique shop after closing, trying to straighten some piles of askew books, and off-kilter paintings, and enjoy the ambience of a lot of neat old stuff, I can't help but think back to those innocent days of youth, when I willingly, without a single reservation, allowed myself to be influenced by the patina of the late 1950's and early 60's in Southern Ontario. Maybe it was the allure of black and white television that our family worshipped as a livingroom icon. Possibly it was the daily sight of the Eatons and Simpson's delivery trucks back and forth through the neighborhood, the milk and bread delivery trucks, and of course the knife sharpener man on his three wheeled bike with all the compartments built onto the frame. I made a very serious point of trying to memorize it all, possibly anticipating that my life's mission would be to one day represent the period as both a writer and antique and collectable buyer and seller. It was a compelling period of my life as if the beginning of a five and a half decade apprenticeship to get it right. I was a watcher in the woods you might say, and from any other portal I could find, where I could hideaway and check out the action unfolding just beyond. It used to drive my mother nuts, because I'd be out of sight for considerable periods of time, and when she yelled for me to come home, it was usually when something great was happening near by that held me steadfast, as the historian in training.
     When I wax nostalgic about how I got started in this antique / heritage partnership, I naturally start at the point I opened my first shop in Bracebridge, and within months, getting my first gig as a writer / historian, working for the Muskoka Board of Education. But it does go much further back when I study on where my interests were first cultivated, and it requires my focus back on those dear, exciting formative years, in Burlington, where I had soakers (my shoes being wet) every day, including the winter, and I was usually covered in soot from playing too close to the Lakeshore Public School coal chute, and having bulges in all my available pockets, stuffed to overflowing with the "remains" of the day, to borrow the title of a movie I happened to like. All my values in this pursuit of heritage and relics comes from those days scouring the neighborhood for cast off stuff, especially rich on garbage days, and then hauling out all kinds of natural history from the ravine of Ramble Creek, where it seemed I spent the most time besides being in our apartment. Before school I walked the banks and I raced home after school to skip stones, and walk back and forth across the limestone slaps that bridged the creek in several locations. It was the sanctuary where I found my first sweetheart, a sweet girl from my class, who used to live in a small house backing against the creek. Angela used to invite me to her house after school, to join her on the swing set, that creaked in its rusty character through the misty woods of the deep ravine. I owe a lot to those memories, because they influenced me in a most positive way, and the way I've pursued collecting, and set up the shop, well, it's pretty much as if I'm re-creating all those charming influences from my youth; nature always being a pivotal component of our design, and intent to augment the collection. I always keep a goodly number of nature-related books in stock, and I'm a big fan, as you might gather, of landscape art, many paintings showing off scenes like I remember from my childhood. I may be obsessed but at least I'm happily employed by its intrusion, which, by the way, I have always welcomed heartily.
     A while back, knowing my inherent love of history and for all things storied and old, a friend asked about the kind of books I had enjoyed growing up. I suppose she thought I had come from a home where there were shelves over shelves of books by Charles Dickens, Washington Irving, Sir Walter Scott and Wordsworth. Alas, I was from a family that had more interest in television than books, and although I had some beat-up bedtime stories from the Brothers Grimm, I had to count on the school and public library for my reading material. There was however, one favorite collectable magazine in our residence, that became by tenure, a coffee table book; the first and only one I remember getting this kind of respect from my mother. Believe it or not, it was a Thanksgiving issue of "Ideals" magazine, and I must have read that publication a hundred times up to the time I moved out to get my own apartment. I will always have a soft spot for those wonderfully nostalgic Ideals magazines.
     When I walk by the 1950's circa Philips television in the shop foyer, I don't feel any sense of betrayal, having been lured into the Wide World of Disney, The Wizard of Oz, Peter Pan (with Mary Martin of course), A Christmas Carol, and hundreds of other movies and sitcoms that influenced the collector-me. I loved those times and I set up a course of action where they could be preserved in part, and enjoyed all over again. It's true that "time waits for no man," but nostalgia buffs don't get weighed down by philosophy however well meaning; unless we coined it ourselves to represent our interests.
     I have always been a sentimental fool, as Suzanne calls me on days like this, when she senses correctly that I'm lost in my daydreams again. But I'm in the perfect business in this regard, and when a customer comments that our collection has brought back a lot of pleasant memories, I'm delighted to have been of some assistance in this regard. While many of my writing contemporaries argue that you can't live in the past, and although as a realist, I whole heartedly agree, I choose instead, to allow myself the human privilege of keeping one foot in the fantasy, generated by an over-active imagination, the other foot set down solidly in contemporary existence. My reality, in this case, thank goodness, is just as loaded full of fantasy as my daydreams, except in this sense, it's our antique and collectable shop, where nostalgia and fantasy dance together the whole live long day.

Saturday, January 28, 2017

The Restorative Shock That Energizes Antique Shop Passions



The Restorative Shock That Energizes Antique Shop Passions

     As we proceed with this series of strange but true stories about our rather weird association with the antique and collectable trade, including our partner business, being vintage music and accessories, we probably don't need to footnote for you, each day, that we don't compare ourselves, or attempt to parallel competing antique venues. We have a much different philosophy about our place in profession, as main street retailers, and while we are friends with many, close partners with a few others, we have always been lone wolves when it comes to reasons why we chose the antique trade in the first place. I've stated this many times, to the disbelief of some of our contemporaries, that we Curries didn't decide to get involved in antiques and related collectables to make big, big money. There are thousands upon thousands of better plans to make money, than being an antique dealer in a small town stuck in the grasp of a seasonal economy. We are, first of all, respectful students of history. Even after many years in the trade, of buying and selling old stuff, we still consider ourselves apprentices. For me it means I've spent four decades trying to figure it all out, and I'm still not there yet.
     Andrew and Robert, our vintage music partners, were brought up immersed in heritage. In fact, Suzanne and I, back in the late 1980's, were operating managers of Woodchester Villa and Museum in Bracebridge, and I used to take both lads to work with me each day that I was needed on-site. I even set-up a play-pen in the museum annex for Robert, and Andrew would bring his toy scooter with him, to criss cross the aisles of the display. At that time, the museum annex had mostly agricultural relics from the area, so there wasn't much danger of him bringing down a shelf of fine china or historic pressed glass. Even when Suzanne and I conducted tours of the property, we had the boys in tow, Robert in a snuggly strapped to my chest. We did the same when we were out on the weekend, antique hunting. The boys never had a chance to do much else, other than be involved with heritage-somethings, which in their case turned out to be vintage vinyl and old instruments; mostly being of the stringed variety. In addition, our house back then, was also an antique shop and storage facility, so distancing oneself from the heritage ambience was pretty much impossible unless they had divorced us as parents.
     Suzanne and I were both interested in roughly the same areas of collecting, especially old bottles, and antique glassware, her main interest being Fenton's cranberry style, and mine was mostly Canadiana, like the famous Beaver sealer jars. When we got together we merged our collections and our interests in one day, opening a really swell antique shop; which we did in our first home on Ontario Street in Bracebridge in 1986. As I noted previously, I had opened a shop on Manitoba Street in the fall of 1977 with my parents in the former McGibbon House, but other job offers and poor sales, tore the partnership to bits by the early 1980's. The point I wish to make, is that we have lived the antiquarian's life, even in our youth, and not one of us would ever admit, even under torture, that we have done so because of margin of profit. It's not like we don't wish to make money in this venture, just that we don't measure our participation entirely by how much is jingling in our pockets, or in the till at the end of the day. Antiques are good investments and have been for centuries. If we don't sell them now, we will sell them one day, and at the very least, get our investment back with a little dividend. In the general retail trade this isn't a likely final result. As we buy everything for investment value, with the knowledge that time is on our side, we won't get hurt if the market goes south, as they say, unless it's a forever downward trend.
     I remember a publisher once, laughing at me, when I made the honest claim to him, that I didn't write just for the money. And just so you know, I haven't been a paid-writer since the summer of 1990, except of course on specific projects of which I have been hired to perform a specific writing task, which number few over two and a half decades. I don't like being under the thumbs of publishers, who thought that if they paid for my services, they could get me to support their biases for public consumption. The same goes in the antique trade. We chose this profession as a lifestyle, not solely as an interesting way to make a buck. When it comes to how many hours we work in a week, believe me, profit falls well behind enjoyment value. We have created a shop environment that is more like a recreation room in a house, than a strictly, rigidly structured retail outlet. We hear about this all the time, and it makes us feel good, that others see and feel the same as we do about a relaxed atmosphere with built-in comforts. Gosh, we want our patrons to feel comfortable and cheerful when they visit, and should they wind-up on a back couch, reading a book for a tad, then we have done our job crafting a business-hobby type enterprise. This doesn't mean we don't have stresses, because as I've noted in previous articles, it can be a brutal enterprise at times, because of the troubled folks who have to seek us out, in order to sell family heirlooms and such, to raise funds for day to day living. It sucks on that level, but we work hard to make it up in other ways, and so far, it has been our crowning achievement, to have created such a non-threatening, soft environment to share our passion for history and heritage articles.
     Throughout the year, we host a wide variety of creative folks, in the profession of entertaining audiences, and they have come to think of our Gravenhurst shop as a sort of safe haven, where they can hide-out for awhile, usually before evening shows, or during a tour hiatus. I have sat in this studio chair many times, next to some of the finest musicians and entertainers in the country, and stood shoulder to shoulder with accomplished writers and historians, who have taken the time to discuss their latest projects, and upcoming plans. While I'd like very much to name them, it is our shop policy to allow these guests their much needed privacy. The only time we will celebrate their attendance, is when they ask us to take pictures of them in our shop, often with one of our partners in the mix, which is really neat. In the past twelve years we've had the who's who of the Canadian entertainment scene, and some well known American and British musicians, pleased for the respite our studio offers the road-weary traveller.
     What goes on here, every day of the week, (Sundays are dedicated to music recording in our studio), beyond the selling of antiques, is a wild social / cultural exchange with some very proficient customers; not meaning just the class of customer you would consider a celebrity. We get a real rush talking to authorities on all kinds of subjects, and representing hundreds of different and exciting professions, and it's what broadens us as antique dealers and historians. One minute we could be discussing the history of glass marbles, and minutes later, be talking about funerary heritage with a collector. It could well spin thereafter into a debate about the Toronto Maple Leafs ever winning the Stanley Cup again. We talk about antiques a lot, obviously, and their provenance, and the most recent finds we've made out on the weekly hunt and gather missions. There could be an unexpected treat when a local historian pops in to share some stories garnered from their recent research mission, and they might actually seek our assistance to clarify something of which we may have more expertise. In between of course, are the sales and acquisitions of the day, that keep our doors open. But when we get home at night, most of the time, we are just as excited about the meetings with interesting folks, who never rattled our cash box with a purchase, as we are those who found something of interest in our shop.
     All of us understand the suspicions of our critics, who would argue to the contrary, the Curries are just as profit-hustlers like the rest of us. It's not the case we can disagree with them, because without profit, we simply can't carry-on the business as a going concern. It is reduced then to an unprofitable museum collection where no admission is collected. At the same time, we consider our antique preoccupation an equal partner, in the quest for quality of life, and our customers on the broad scale, enrich our lives a thousand different ways. Some great and enduring friendships have been made in this business, because of this business, and when we look back at our own history, we could never feel collectively or individually, that we had wasted our time trying to build our enterprise. And at times, because of some failed relationships with some members of the local business community, we have considered relocating our operation. Yet, just when we think we have reached a serious impasse, something happens that changes our opinion and the matter is dropped. We've navigated downturns in the main street economy on numerous occasion, even during road reconstruction out front of the shop, and pushed our way through provincial and national economic dips, with a little collateral damage but still the strong resolve to keeping working to make the shop more inclusive and less exclusive.
     When we initially set our boys up in the vintage music business, the mandate was clear and uncompromising. We were opening a local business for the local marketplace. It was to be a year round business. While we were happy to have the boost of the tourist season, we never compromised our service to the local clientele, who kept us going for the full twelve months. When we added the antique component, just before Suzanne retired from teaching at Gravenhurst High School, our mantra was the same. We are hometowners and that means our loyalty is in Muskoka. Suzanne and I are two well qualified local historians, and we're not kidding about the hometown loyalty. We're always ready to talk history here, and attempt to answer any question our customers have, regarding district heritage. It's not a big money maker, unless we are hired to work on a specific project, but what the heck; we find it recreational to talk about the home region.
     The reason this lengthy introduction to future stories in this space, is necessary, is due to the fact many antique lovers today have a new opinion about contemporary dealers, that isn't fair as a generalization, especially to mom and pop operations like ours. We are the faces of our business, and the obliging folks who have picked our inventory one piece at a time, from all across our region of Ontario, with you folks in mind. We don't go to auctions, and if we do buy estates, they represent materials we judge perfect for our little shop of curiosities, that will entertain our customers, not show them more of what they have seen in every other antique shop around the province. Within our little main street business, that some customers say is actually enormous, is a nesting place of history, for history lovers. It's what pleases us, and what makes our customers want to return.
     Now we can begin some related stories about how our business fits into the local heritage scheme of things, past and present.
Please stay tuned. I've got some great stories inspired by our foray into the past, antiques and the stories surrounding them.

Friday, January 27, 2017

How Some Of Us Got Started In The Antique Trade

HOW SOME OF US GOT STARTED IN THE ANTIQUE TRADE……AND AS COLLECTORS

WE WERE BORN INTO IT……OR DIRECTED THAT WAY BY UNAVOIDABLE CIRCUMSTANCE…..SOME OF IT, KIND OF HUMOROUS

     HERE IS A SMALL PORTION OF A BOOK THAT HAS KEPT ME INTERESTED IN ANTIQUES, AT TIMES WHEN I'VE BECOME DISENCHANTED AND BORED. THIS HAPPENS IN EVERY PROFESSION. RIGHT? WE CAN'T BE "ON" ALL THE TIME, OR WE'D SPONTANEOUSLY COMBUST. THIS LITTLE TOME, FROM A FORMER BRITISH DEALER, FROM THE EARLY 1900'S, HAS ALWAYS OFFERED A CALMING, SUBTLE INSPIRATION, THAT HAS HELPED ME NAVIGATE QUITE A FEW BUMPS…..AND CLEARLY DEMONSTRATES THAT YOU DON'T HAVE TO BE WEALTHY TO BE A SIGNIFICANT PLAYER IN THE ANTQUE COMMUNITY. BEING GOOD AT WHAT YOU DO? THAT'S THE ONLY THING THAT COUNTS.
     "HUMAN MEMORY HAS ALWAYS SEEMED TO ME A MYSTERY. WHY IS IT, FOR INSTANCE, THAT ONE SHOULD BE ABLE TO RECALL VIVIDLY AN INCIDENT THAT OCCURRED WHEN ONE WAS EIGHT, AND YET ONLY RETAIN A BLURRED AND VAGUE IMAGE OF SOMETHING, PROBABLY MUCH MORE IMPORTANT, THAT HAPPENED WHEN ONE WAS OVER THIRTY," WROTE, "R.P. WAY," IN MY FAVORITE BOOK ON THE TRADE, ENTITLED SIMPLY, "ANTIQUE DEALER," CIRCA 1957, PUBLISHED BY MICHAEL JOSEPH. THIS IS THE BOOK I KEEP ON A SHELF NEXT TO MY DESK, THAT WILL NEVER BE SOLD-OFF. AT LEAST BY ME. IT IS THE STORY ABOUT GROWING INTO THE ANTIQUE PROFESSION FROM A YOUNG AGE, AND IT PARALLELS MANY LIVES OF ANTIQUE TRADERS I'VE KNOWN THROUGHOUT MY LIFE; OF THOSE WHO HAVE MATURED IN THE FASCINATING DOMINION OF HISTORY….. "RETAILING" HEIRLOOM PIECES.  TYPICALLY INITIATED INTO THIS LIFESTYLE, BY FAMILY EXPOSURE. I DIDN'T GROW UP BEING MENTORED BY ANY ONE IN THE FIELD OF ANTIQUES, BUT MY BOYS WERE; AND TODAY THEY HAVE A VINTAGE INSTRUMENT AND MUSIC SHOP TO SHOW FOR IT! AND WHENEVER SOMEONE ASKS THEM HOW THEY GOT STARTED IN THIS QUEST FOR OLD THINGS….THEY GIVE CREDIT WHERE IT'S DUE…..I SUPPOSE. "THAT WOULD BE MY DAD…..WE WERE BROUGHT UP IN A HOUSE FULL OF OLD THINGS AND MY FATHER WAS AN HISTORIAN." IF I HAPPEN TO BE SITTING IN THE SAME ROOM WHEN THEY SAY THIS, I ALWAYS FEEL A CHILL WAVE PASSING OVER ME, ESPECIALLY WHEN THEY SAY "MY FATHER WAS," AS IF THEY KNOW SOMETHING I DON'T. I START PONDERING WHETHER I MAY HAVE ACTUALLY PASSED ON, AND IT'S A GHOST OF MY FORMER SELF, STILL SITTING IN THAT COMFORTABLE LITTLE CHAIR IN THEIR MUSIC STUDIO. THE PRE-OCCUPATION WITH HISTORY AND ANTIQUES DOES PLAY TRICKS ON ME, ESPECIALLY KNOWING WHAT YEAR IT IS OUT THERE. I'M IN A TIME WARP MOST OF THE TIME. 
     "ONE OF MY EARLY CHILDHOOD MEMORIES IS OF A WATER-COLOR PICTURE OF A THREE-MASTED SAILING SHIP CALLED 'THE MONARCH.' I STILL HAVE THIS PICTURE AND WHEN I LOOK AT IT I CAN RECALL MY GRANDMOTHER'S VOICE TELLING ME THE STORY OF A WET, COLD DECEMBER MORNING IN 1863, AS THE MONARCH SAILED INTO BRISTOL CITY DOCK. ON HER DECK, CAPTAIN WAY, A TRIM, THICKSET MAN OF MEDIUM HEIGHT, WITH A DARK BEARD AND PIERCING BLUE EYES, WAS STARING ANXIOUSLY OUT AT THE HOUSES ON THE QUAYSIDE. HE KNEW THAT HIS WIFE WAS EXPECTING A CHILD AND HE WAS WORRIED. AS THE MONARCH DREW OPPOSITE HIS OWN HOUSE, HE CUPPED HIS HANDS AND SHOUTED LOUDLY, 'AHOY, MRS. WAY, AHOY!' ALMOST IMMEDIATELY THE FIGURE OF A STRANGE WOMAN APPEARED AT AN OPEN WINDOW, AND HE SAW THAT SHE WAS HOLDING A SMALL BUNDLE IN HER ARMS. 'WHAT NEWS,' HE SHOUTED. SHE HELD UP THE BUNDLE. 'A SON!' SHE SHOUTED BACK. 'THREE DAYS OLD AND HIS MOTHER IS DOING FINE.' THAT SON WAS MY FATHER, JOHN PHILIP WAY."
     THE AUTHOR WRITES, "WHEN HE LEFT SCHOOL MY FATHER BEGAN TO EARN HIS LIVING IN THE OFFICE OF A FIRM OF TEA BROKERS IN BRISTOL, AND IT WAS SOON DISCOVERED THAT HE HAD A REMARKABLE FLAIR AS A TEA-TASTER. BECAUSE OF THIS HIS FIRM OFFERED HIM A VERY MUCH BIGGER SALARY TO GO TO THEIR LONDON OFFICES AS AN EXPERT SAMPLER. NO DOUBT MY FATHER WOULD HAVE ACCEPTED THIS OFFER IF HIS UNCLE PHILIP HAD NOT, AT THAT TIME, PUT AN ALTERNATIVE PROPOSITION TO HIM. PHILIP ELLIOT, MY GRANDMOTHER'S BROTHER, OWNED A SMALL ANTIQUE SHOP IN PARK STREET AND HIS SUGGESTION WAS THAT MY FATHER SHOULD JOIN HIM IN THE BUSINESS. IT WAS UNDERSTOOD THAT, EVENTUALLY, MY FATHER WOULD INHERIT NOT ONLY THE BRISTOL SHOP BUT ALSO SOME HOUSE PROPERTY IN CLIFTON AND LONDON. THE FAMILY, BELIEVING THEMSELVES WISE, PREVAILED UPON HIM TO ACCEPT HIS UNCLE'S OFFER.
     "UNFORTUNATELY FOR MY FATHER, THINGS DID NO TURN OUT QUITE LIKE THAT, AND FOR MY GREAT UNCLE PHILIP SUDDENLY AND QUITE UNEXPECTEDLY MARRIED HIS HOUSEKEEPER, AND MADE A WILL LEAVING EVERYTHING IN HIS POSSESSION TO HER. I SAY UNFORTUNATELY, BECAUSE BY THEN MY FATHER HAD MARRIED. I HAD BEEN BORN IN 1893 AND MY SISTERS VIOLET AND IRIS, AT TWO-YEARLY INTERVALS AFTER ME. ON THE THIRTY SHILLINGS A WEEK WAGE WHICH HIS UNCLE HAD PAID HIM, THERE HAD BEEN LITTLE TO SAVE AND THERE SEEMED, THEN, NO PROSPECTS FOR OUR FUTURE. HOWEVER, MY FATHER DECIDED TO LEAVE HIS UNCLE'S BUSINESS AND SET UP ON HIS OWN. A FRIEND OF HIS, FREDERICK NEWCOMBE, WHO WAS A PICTURE DEALER AND FRAME MAKER, PROMISED MY FATHER A FIRST OPTION ON THE LEASE OF SOME PREMISES HE WAS BUYING FURTHER ALONG PARK STREET, AND, EVENTUALLY, WE MOVED INTO NO. 69. THERE WAS LIVING ACCOMMODATION TO GO WITH THE SHOP, AND I SHALL NEVER FORGET HOW, AS CHILDREN, MY SISTERS AND I WERE AMAZED AT THE NUMBER OF ROOMS THEE SEEMED TO BE."
     MR. WAY RECORDS OF THESE EARLY YEARS OF HIS LIFE, THAT "I WAS ONLY EIGHT YEARS OLD AT THE TIME, AND I CANNOT NOW REMEMBER EXACTLY HOW MY FATHER OBTAINED STOCK TO START HIS BUSINESS - AT LEAST NOT FURNITURE AND CHINA STOCK. BUT THE SILVER AND PLATE CAME THROUGH SOME WELL MEANING DEPARTMENTAL STORE IN AUSTRALIA. ONE OF THEM HAD SENT AN ORDER TO A BIRMINGHAM FIRM OF SILVERSMITHS TO SUPPLY MY FATHER WITH 500 POUNDS WORTH OF SILVER AND JEWELRY. MY FATHER WAS GRATEFUL FOR THIS KINDNESS, BUT HE WOULD HAVE APPRECIATED IT MUCH MORE IF HE HAD BEEN GIVEN THE MONEY TO BUY HIS OWN STOCK, SINCE AUSTRALIAN DEPARTMENTAL STORES AND BRISTOL ANTIQUE SHOPS, WERE FAR APART IN TASTE THEN AS THEY WERE IN MILES. AS IT HAPPENED, THE BIRMINGHAM FIRM WERE UNDERSTANDING AND CAME TO AN ARRANGEMENT WHEREBY MY FATHER TOOK 300 POUNDS WORTH OF STOCK AND THE REST IN CASH. IT WAS THAT SILVER STOCK WHICH I REMEMBER BEST. I HAVE A VIVID PICTURE IN MY MIND OF THE SMALL LIVING-ROOM BEHIND THE SHOP, WHERE WE HAD OUR MEALS, AND WHERE, EVERY SATURDAY AFTERNOON, MY PARENTS, MY TWO SISTERS AND I SAT ROUND THE TABLE AND CLEANED THE WRETCHED STUFF. MOST OF IT WAS OF DUTCH ORIGIN; FANCY SPOONS WITH EMBOSSED BOWLS AND CURIOUSLY SHAPED HANDLES - ALL IMPOSSIBLE TO CLEAN. IT WAS WORTHLESS STUFF REALLY, RANGING IN PRICE, AND YET EAGERLY BOUGHT BY SO CALLED COLLECTORS OF OLD SILVER AT THAT TIME. THERE WERE ALSO SOME LITTLE HORRORS CALLED 'SILVER TOYS,' MODELS OF WINDMILLS, SHIPS IN FULL SAIL, CARRIAGES AND HORSES, DOMESTIC ANIMALS SUCH AS HENS, DUCKS AND TURKEYS."
     HE CONCLUDES THE BOOK'S OPENING CHAPTER, NOTING, "THE REST OF MY FATHER'S SHOP CONTAINED SIMPLE PIECES OF ANTIQUE FURNITURE: BUREAUX, BOOKCASES, CHESTS OF DRAWERS, GATE-LEGGED TABLES AND A COLLECTION OF RATHER MEDIOCRE OLD CHINA, POTTERY AND GLASS. PRICES IN THOSE DAYS WERE VERY MODERATE: A GOOD MAHOGANY BUREAU COULD BE BOUGHT FOR FOUR POUNDS AND AN OAK (TABLE) FOR THREE. EVEN SETS OF SHERATON CHAIRS WENT FOR AS LOW A FIGURE AS TEN POUNDS. I REALIZE, LOOKING BACK, THAT MY FATHER MUST HAVE HAD A STRUGGLE TO MAKE A LIVING AT THE TIME. I REMEMBER COMING HOME FROM SCHOOL ONE DAY AND SEEING MY PARENTS HUGGING EACH OTHER IN DELIGHT BECAUSE HE HAD SOLD A WING CHAIR FOR SIX POUNDS. AT THIS TIME I BEGAN TO BE ALLOWED TO KEEP AN EYE ON THE SHOP WHEN MY FATHER WAS AWAY BUYING, AND MY MOTHER WAS ALSONE WITH HOUSEHOLD CHORES TO DO IN THE LIVING QUARTERS OF THE BUILDING. I WAS EXTREMELY PROUD OF THIS RESPONSIBILITY, AND ONE AFTERNOON, I SAW AN OLD MAN PEERING UP AT THE NAME PAINTED ABOVE THE SHOP. PRESENTLY HE CAME IN. I FELT EXCITED BECAUSE I THOUGHT, BY THE LOOK OF HIM, THAT HE MUST BE A CUSTOMER. I WAITED UNTIL HE HAD CLOSED THE DOOR AND THEN I ASKED HIM WHAT I COULD DO FOR HIM. HIS ANSWER BURST THE BUBBLE OF MY EXCITEMENT, 'MAY I USE YOUR WATER CLOSET,' HE ASKED."

THE ANECDOTE AND REALITY - CLOSER THAN YOU MIGHT THINK

     "I WAS NOW EXPERIENCED ENOUGH TO ATTEND AUCTIONS ON MY OWN. AT SOME I DECIDED ON THE PRICES TO PAY AND AT OTHERS I BOUGHT AT THE PRICES MY FATHER HAD GIVEN ME AS A GUIDE." R.P. WAY
     I have accumulated many stories about antique collecting and selling, dating back to my first forays as a penniless student, in the mid 1970's, when my passion for visitation, was to attend traditional mom and pop antiques shops, and of course country auction sales. My girlfriend Gail, at the time, was also keenly interested in antiques, and I remember the day she suggested we should visit a local auction, being held beside an old Methodist Church, in Bracebridge, Ontario. She had been to auctions previously, and I spent most of that afternoon outing, asking her about various auction protocols. I'd heard lots of stories about the misadventures of bidders, who made the mistake of scratching their ears or blinking, and wound-up making major purchases they hadn't intended. Gail was very patient with me, and it was on this occasion, that I bought my very first vintage oil lamp. Actually, she had to spot-me twenty bucks, God bless her, and it became the first piece of historic lighting in my collection of oil lamps. I've had to sell off the lamps a number of times, including that first one I purchased, in order to pay the bills. I worked as a reporter and money was an issue from the first hour, of the first day, I began working with newspapers. I've sold my collections of lamps on three separate occasions, to balance the budget, but in the past ten years, I've been able to buy back some of the nice glass pieces I once owned, …….and they don't have much to do with investment. I use them. I rotate them through the house, and I always have a couple here in my office, and when I write late in the night, or on a cold day like this, I will have one or both illuminated. It's what I used to do with that first farm lamp, when I was at university. I love the scent of burning oil in these lamps, and if I'm working on an historical essay, it always creates such a compatible, comfortable aura in the room. I might have once, collected oil lamps as an investment. The problem is, there are way to many oil lamps on the market. Antique shops and malls are loaded with them, and that always drives the prices of the "commons" down. I'm glad they held their value, when at times, I needed to flip them to make rent or buy groceries. Today I don't have to worry too much about that, but I still sell four or five nice oil lamps every year. Just sold a nice brass two-wick lamp the other day. They still provide a warm and nostalgic glow in a parlor or bedroom.
     Gail didn't start me in the antique business. I was already hooked on old stuff. The fact she took me to my first auction sale, was the game-changer. That had to be circa 1975. I was hooked after the first ten minutes. For years, even if I was broke, I would go to an auction just to watch what was going on. For an up and coming antique collector / dealer, it was the best and most thorough way of learning. As I didn't have any one in my immediate family, who had even the slightest interest in antiques, and Gail having dumped me for another lad, I found many kindred spirits doing just what I was at those auctions. Leaning, lounging, sitting, reclining on old couches, chairs, stumps and fences, watching the auctioneer settle estates and farm liquidations. It was the best school for the antique trade, because we saw everything that went on, and some of it was pretty darn interesting. There was always a lot of emotion at those sales, and I'm sure that's not hard to imagine under the circumstances. Someone had to die, in order for this sale to be conducted. As for farms, it's true, most were the result of foreclosures, and that didn't make for a happy day spent in the country. But it was reality and antique dealers had to learn how to navigate these emotional situations…..because it was part of the industry, and there was no university or college course, that could address it better than total immersion. There were a lot of sad times out there, but by and large, most of our experiences were positive and we'd leave, often having made friends with the family and hosts of the sale, in large part to help avoid hard feelings. I was living and working in a small town, and buying and selling the possessions that once belonged to their family members. Yes indeed, it was a profession that required strict protocols of conduct and a huge amount of sensitivity. That is if you wanted to stick around in the antique trade…..because with a small town, came small town politics. If we angered someone, or were called on a conduct issue, at an estate sale, it could spin-off badly, and deter customers from coming to visit our shops. There was a lot more to the antique business, than selling off old stuff we acquired on our gadabouts. The "people" side of the profession, was of critical concern, both as suppliers of materials, and potential buyers. Once again, in a small town, we had to be aware of aunts, uncles, cousins, nephews, and prodigal sons and daughters, who might come in, and insist we give items, purchased at estate sales, back to them…… because allegedly, the articles allegedly had belonged to them, and shouldn't have been sold off in the first place….or that they had been promised these piece in life, and then, denied in death, having missed the auction to boot. I've had at least a dozen of these uncomfortable moments, and was very thankful that I had worked up in the industry slowly, patiently, watching and learning from the successes and failures of my contemporaries in the trade.
     There are many influences on folks like us, early in life, that push us closer to history, to the point we actually develop an appetite to possess it……and sometimes sell it for a profit. Most antique dealers will admit that they found a particular aspect of history, and its antiquities more compelling than in other areas. I began in earnest, with an appreciation for art. Not expensive art. Just interesting pieces. I'd like to one day own an original A.Y. Jackson, or Tom Thomson, maybe even a Harold Town, one of my favorite artists. But I will gladly accept any art piece that inspires me…..makes me think about it…..ponder where it was painted, and what the artist had in mind when he set about to create the object, sculpture or painting. I grew up in a family that had two paintings. I inherited them, and they hang now above my desk. When I was home sick from school, as a kid, I would rest on the couch staring up at them, feeling a sort of temporary liberation from a cold or flu; the autumn scene by William Kranley, was perfect when I was suffering from a cold. It made me feel warm and cheerful, with the autumn colors. The painting by an artist named "Looksooner" of waves crashing over rocks, in the ocean, was perfect when I was fevered. It looked so cool and refreshing. These were minor works of Canadian art. They were done by competent artists, but they fall short of being auction material at major Canadian sales. Yet they are still precious to me, simply because I still feel the same sensations when I view them now……more than fifty years after they arrived in our apartment. I needed those two paintings as a kid. I required their blue skies and inner energy to inspire me…..to make me want to get back out there, down in the hollow of Burlington's Ramble Creek, where the golden band of shallow water, snaked through the brambles and vines to Lake Ontario.
     Ever since, I have always been surrounded by art. Paintings hung over my chair in the livingroom, above the dining room table, in the kitchen, family room, and leaning on the mantle. Now multiply that by ten or twenty, and you'll appreciate how crowded it is with the creativity of others. Where one painting might do for you, three make it better for me. Suzanne hates dusting the frames. Not precious art work. Inspirational pieces. Art that I can look at, when uninspired, prior to a writing project, and feel somehow energized to come up with something insightful if not outrightly compelling. I have purchased hundreds of pieces of art and small sculptures, the criteria being that the artist(s) created a quality work. I buy what I like, yet everything is of the standard, to appeal to our customers, if and when I have to offer them for sale. Antique dealers generally over-spend and eventually have to sneak into their private collection, to make up the fiscal shortfall. It's how my oil lamps had to be used almost as currency, in those lean days of my apprenticeship. I have never been able to purchase a piece just for me. Everything must have its salable quality, and this is one of the first protocols I picked up, as a fledgling antique hunter. You can't go wrong if you buy the best of the best. This may only cost you twenty bucks at a yard sale or flea market. It doesn't always have to be tagged at a thousand bucks plus to be a quality work of art. That's why they call us antique hunters. It doesn't really matter what you're buying in antiques and collectibles, if you pay attention to that golden rule. Buy what you know is a well crafted art piece. An outstanding piece of vintage glass, china, porcelain or pottery. Even if you have to spend more to make the acquisition, I've never gone wrong by using quality workmanship as a standard…..and this goes for furniture or musical instruments. As for a painting to inspire you…., a well executed work of art will always be a source of inspiration, and when you're ready to move on, and change the interior decorations, you won't have any problem selling that same quality art work.
     Thank you again for spending some time with me. I love writing about antiques and collectibles, and I've only just scratched the surface. As this is intentionally biographical, because I'm getting old and might not have another chance to work on such a project, for my family, I needed to cover some basic points of how I began collecting in the first place…..just so it will make sense to my grandchildren and great-grandchildren in the future. I've got some interesting stories about antique hunting that will make you laugh……and think somewhat differently, about the characters who haunt the profession. See you again soon.

     "I soon found that, keen as I was, the antique business was far more difficult that I had expected." (From the good Mr. Way)

Thursday, January 26, 2017

Personal Biography- Writing Your Own



PERSONAL BIOGRAPHY -  HAVE YOU THOUGHT ABOUT WRITING YOUR OWN?

FOLLOW ME BACK TO BURLINGTON, AND I'LL SHOW YOU HOW TO BEGIN -


     I have written dozens of biographies. In fact, I just finished one. Up until several weeks ago, I had been working with the family of Muskoka Artist, Richard Karon, (1928-1987), to create a biographical resource, to be donated to the Art Gallery of Ontario, and the National Gallery archives, to assist future researchers studying Canadian and Ontario artists. It was an intense winter, working on the project, with the artist's son, Richard Sahoff Karon, but the end result (which you can view on this site), I think, lived-up to expectations. It filled in a lot of grey area, where there had only been disjointed bits and pieces of personal biography. I remember sitting down, with all the research notes I'd been making, thinking to myself, gads, this is going to be a wild amount of work. I won't deny that it was grueling, particularly because we set some tight deadlines for research to be complete, and the text prepared, in order to get the material published online, for an already-waiting audience. All the people who had sent us images of Mr. Karon's paintings, agreed to provide the visuals, if I provided the story behind them. It was intended to be an information source for any one interested in his work, but particularly as a reference site for those who have his art work, and wish to know more. Each year I get a dozen or more information requests about his work. This comes from the fact that I have been writing about the artist's work for years, much of it online, and when painting owners searched previously, for biographical material, they kept finding me. For a long time, I tried to come up with sensible and helpful responses, but when I had a chance to work on a full biography, with Richard Karon Jr., I knew it was a perfect opportunity to help the art community here in Muskoka, and of course, to assist the family, which admittedly had a lot of information shortfalls themselves. Working together on this was both rewarding, because of the more complete profile we uncovered, and the fact it provided the family with a clearer picture of "life with a husband and father," an accomplished artist, who had suffered immeasurably, through the period of the Nazi occupation of Poland
     Every now and again, I will talk to someone or other, about the reasons for preserving family history, or about the relevance of working on a personal biography. I'm always encouraging folks to "write it down." You don't have to possess a degree in journalism, to write a personal biography. While it's obvious if you've journeyed with me, down my own misty, nostalgic road, that I dabble in biography frequently. No apology. It makes me feel good. Connected to all those friends and family I miss today. Yet there are a lot of details and situations I have stayed away from, because I'm still, after all these years, confused and frustrated by what I don't know……and wished I had pursued, with those who are now holding their secrets, in the obscurity and mystery of the after-life. I have no compunction whatsoever, asking them, regardless of the fact they're pushing-up the daisies, why we did what we did!  As I wrote in a recent blog, about my childhood days in Burlington, Ontario, the last real conversation I had with my father Ed, was about our days in Burlington. Not that he brought it up, but because I knew the way he was slipping into dementia, I had very little time to reminisce……and I suppose I used the past as a ruse, to find out more of my own biography. We had about a full hour of good conversation about the days of the late 1950's, up to within a hair's breadth of 1964. The last major event I remember, living at 2138 Harris Crescent, in the Nagy Apartments, was the day John F. Kennedy was assassinated. I can remember that evening, walking up town with my mother Merle, as she tried to explain what it all meant…….the death of a president, and what murder meant. For most of us, old enough to know, November 1963 was a time to remember…..everything. The weather, the sights and sounds when you heard the news; even the smell wafting in the air, that hour, of the fateful day. Maybe it was out of fear, that we all made these mental notes……but I really didn't understand the implications…..until a few months later. It was the first time I paid attention to the news. I have such clarity of the things going on, that day, and what we did and saw on the street, as we ambled up to Brant Street, where I inevitably conned a bag of cent candy from a shop, I'm sure was called "Wamsleys." I stand to be corrected.
     Ed was sitting in a chair on coasters, in the busy hallway of South Muskoka Memorial Hospital, in Bracebridge, and I hovered around him, helping him eat a pudding, and get an occasional sip of juice. He had suffered a stroke and was faring poorly. But in that hour he told me so much about what I had needed to know. Funny thing. I never thought I needed anything more than the memories I had, experienced in the actuality of being an inquisitive kid, always on the move, always discovering something else interesting, or dangerous. What was strange, that day, was that Ed had been in and out of dementia, from the time he was admitted to the hospital. Some of his conversations were wildly fantastic, and exactly what you would expect from a brain injury. The medication was also contributing to delusions. So here then, out of the blue, he is suddenly cognizant of everything around him, and I jumped on this opportunity, to ask him about our days in Burlington. Of all the years I had the opportunity to talk at length, any day or time I wanted, with both parents, I waited for what would be the last hour of unobstructed clarity, to fill in some of my faded memories. How many have you, regretfully have done the same thing, and then felt that great and lasting void of detail……and anybody else to provide it for you?
     Ed had been a fastball pitcher, with another chap by the name of Sammy Nelson, both old-timers, still playing with much younger players, in a mens' league, that played at Burlington's Lion's Club Park, on those beautiful summer evenings…..I do remember, sitting in the bleachers, watching my dad strike-out a string of batters. He had an unusual twist, wind-up, and he seemed to be a fairly good as a pitcher, but by then, he was pretty slow running the bases as a batter. I don't know how many times I would have been in those bleachers, watching my dad play, but I know how proud I was to tell other kids, the guy on the mound was my pop. Until of course the batters started pounding balls out of the park, and they had to change pitchers. "Get out of the game you bum." I was still proud. Just not so boastful. And I remember, on one occasion, Ed taking me along with him, to Sammy Nelson's house near the shore of Lake Ontario, where I sat on the steps of the old house, listening to some of the old-time players, talking about sports, work and life in general. I remember the cool breeze by the water, and the tall trees around the house. And the birds. I don't know what variety they were, but they were chirping almost until it got so dark, I couldn't see them in the overhead branches. The men drank beer. The kid got a pop. I was content. In our hospital conversation, Ed infilled exactly what I had experienced, validating memories I thought had been embellished by time and fantasy. It was my first time out with the boys, you see.
     I asked him about the boy, at the ball park, who used to get sick during the games. Ed knew exactly who I was remembering, and said, "He used to carry a stick in his pocket, that we were supposed to use when he had a fit." What he meant by this, was that the young man was epileptic, and at this time, it was thought appropriate, during a seizure, to place a stick in the victim's mouth, to keep him from biting his tongue during the clenching and shaking period. I know this happened, on several occasions, when I was in the stands, because I could look down where he was writhing on the ground, and watch spectators who knew him, jump down to help. The reason this might have been so poignant a memory to both Ed and I, is the fact my son Robert is epileptic, and I can remember how dreadful he felt when childhood chums asked him about his "fits." He would patiently explain to them, they were not considered "fits," but rather, "seizures." I felt sorry for this teenager at the ball games, because he often tumbled a considerable distance from the bleachers to the ground, during his events. But I was also impressed by the reality so many people rushed to his assistance.
     Ed and I talked about Harris Crescent, and our landlords, Anne and Alec Nagy, so clearly and affectionately, that it gave the impression, he had just been down to Burlington for a visit. He talked about the neighborhood, my childhood indiscretions, the fishing for smelts we used to do……driving my mother nuts, by putting the live ones in our bathtub before he'd clean them. Ed would whip-up a special tomato sauce, his mother used to make, back when he lived in Toronto's famous Cabbagetown, usually then for sardines. Which of course were plentiful and cheap, if you couldn't catch the run of smelts for free. In Ramble Creek they were abundant on certain days each spring, and he and I would spend hours, with our net at-the-ready, scooping down in the pool of deep, black water, for the catch of the day. Merle disliked fish, and certainly didn't appreciate the smell we came home with, on those fishing adventures. Ed recalled all of this, and it was great to reminisce…..even though I knew it was the last time we'd be able to do talk with clarity.
     Ed was a lumber salesman, and Merle worked in a bank, but I'm not entirely sure where they were situated. I'm pretty confident one posting, was near Hamilton, and I think this is the one she took me to, on a Saturday once, to catch up on some paper work. Ed worked in Stoney Creek, at a Weldwood of Canada, lumber location. I remember this place more because of the company car they gave Ed to use, for making sales calls. It was a Corvair stationwagon, and I couldn't stand sitting in the back seat because of the exhaust fumes, that got into the car. I'd have to stick my head out the window, even in the winter, just to survive. It was a new car, but for whatever reason, the exhaust didn't leave the muffler as it should have, but instead seeped into the passenger compartment. I really didn't want to drive too far in that car, especially in the back seat. It seemed to be better if you were riding up front. I used to go on sales calls with my dad, sometimes when I was sick from school, and Anne Nagy, my alternate mother, was busy with other work. As a kid I got to travel thousands of miles through communities in Ontario, such as Paris, Dunnville, Welland, Grimsby, Oakville, Bronte, Milton, and as far as St. Catharines, where there was a steak house Ed used to take his clients for lunch. I didn't like these business meetings, and I'm sure Ed would have liked to shake me loose, but what are you going to do. It's my history now. But by golly, I got to see a lot of the southern climes of our province. I think it was near Dunnville, where Ed and I would stop to watch the migration of the turtles across the roadway. It was fascinating.
     My dad was a former sailor, and I knew this because there was a photograph of him, in his uniform, hanging on our livingroom wall. He didn't like it, and actually, if you can believe this, gave it to an antique dealer who came to our apartment on a social visit. It was when we lived in Bracebridge, and I can remember feeling horribly violated, that my heirloom picture of my father, now belonged to someone else. He told me much later, that all the returning sailors and army personnel, after the War ended, had their photographs taken. It wasn't a kind gesture on the part of the government, but rather an opportunity for photographers to make money. I don't know whether they had to pay a fee to the government, for access to the sailors, but Ed felt it was a time in his life he would rather forget. That's why he gave it away, although I made him regret that he had done this…..especially considering his grandsons, Andrew and Robert, used to like asking him about his days in the Royal Canadian Navy. His ship had been the Coaticook, named after a town in Quebec. On board he operated the anti aircraft guns and was a trained Asdic operator, looking for German U-Boats approaching the convoys. It wasn't until a few years before his death, that he began talking about the war years, and how hard it had been watching men die in the water, from destroyed ships, because the captains could not allow the convoy to break apart. On these occasions, the oil-covered and injured sailors, just waved at the passing ships, wishing them better fortune, and success on their mission to get cargo ships to England. He told me about watching those sailors who were rescued, succumbing once on deck, the result of hypothermia. At the time, those suffering the effects of the cold water, were treated differently than they would be today, with what is known, as the gradual warming procedure…..instead of being warmed too quickly, causing eventual death. Ed told me about having these mates die in his arms.
     My father had grown up in very adverse conditions, in a poor, largely Irish neighborhood, having been left many times by his parents, to fend for this three brothers. His father, also named Eddy, left the family when they were very young, and his mother, often abandoned them in parks, due to the stress in her own life. Ed would have to take them to a church or police station, and they'd put the boys in foster car, or in an orphanage, until his mother would eventually return to reclaim her family. He never told me this, but he did confess to my mother, after they had been married fifty years, that he had been molested as a child, when sent to summer camps operated in the city by charities. It may have also been the case for one or more of his brothers; possibly Billy, who suffered from a severe mental disorder, and was a lifetime resident of the Huronia Centre in Orillia. Even when he had the chance to visit his dieing brother, he refused outrightly, to intrude on what his brother had found of normalcy for so many years. Whether it was an excuse, or not, I don't know. I remember getting mad at him about it, because I thought it was important, for the sake of closure, to visit him before the end. He reminded me, that when his brother had been removed from the family home, it was said then, that his mother, and the boys, should leave him to normalize in care…..and that a visit could bring back his home-associated problems. I had no choice but to accept his decision. At that point it had been almost seventy years since he had seen him. My father died at 82 years of age.
      My mother had come from a well-off family, in Toronto, in the Jane and Bloor region of the city, and my grandfather had been a successful home builder. He was also an exceptional violinist, who had some connection with the Toronto Symphony Orchestra. He was able to get Merle a summer job there, over a couple of years, while she was at school, though I've never found any Jackson connected to the orchestra. I'm pretty sure she went to Runnymede Collegiate. She had achieved success as a young pianist, and as their house was full of the pleasant sounds of musicians, at work, especially on Sundays during quartette practices, she developed a strong appreciation for what she called "good music." I was at my grandparent's house three or four times, when Stanley was practicing, in the parlor, but by that point, his fingers were pretty gnarled-up, from years in the building industry. Music became a part of my life, my biography, and while I wasn't very proficient as a performer (a brass player), my boys really had a music aptitude. In fact they have made it a profession. Until the end, Merle loved her music. Mostly classical. We couldn't afford a record player, when we lived in Burlington. We had to wait years after our Bracebridge move, to get our first console stereo…..which I was ordered never to touch without supervision. I broke it the second week we owned it. I was trying to play rock 'n roll, and things just got out of hand.
     We had a RCA television and a few chairs and end tables, a veneer coffee table, Merle used to polish to a mirror-quality, and a white ceramic vase with plastic flowers. There was a green television lamp with the "theatre" faces, "sad and happy," and a chrome, tube-legged, kitchen table with a yellow top. The chrome legged chairs were a hideous stuffed, yellow vinyl. The table had two leaves, for larger dinner accommodation, and I never once put in the extenders, that I wasn't pinched shoving the table together again. It was like a guillotine. But you know, I can see it so clearly now, and honestly, yup, I wouldn't want to own it, even for sentimental reasons. Too many painful "pinched" memories. The point is, in all the years living with Merle and Ed, they never had anything in their apartment, more than they needed. The bare necessities. We didn't entertain much in those days. Even when my wife and I were settling my father's estate, several years ago, it was a pretty easy job…..certainly compared to the way we live, and crowd ourselves with antiques and collectibles all over the place. But they liked it this way, and it's how they started out, with the apartment they thought they'd reside-in forever. I'm serious about this. Everything I ever heard, and remembered, as a child, was how great it was to live in the Nagy's beautiful apartment, looking out on the flowering cherry tree in the spring, and beyond that the flourishing ravine, where Ramble Creek tumbled so gently, and silently over the flat rocks. They were happy here. It was an excellent place to raise a kid like me.
      I liked to wander, and seek adventure, and of this, Harris Crescent was a perfect place to fan out from…..and I did. I know my parents had to work at two jobs to make ends meet, and although I don't remember us being poor at this time, I know we had to buy seriously used cars, that even at the time, were more than ten or twelve years old. This meant we had a lot of argument time, at the sides of the roads throughout Southern Ontario. While Ed had the use of the company car, some times, when he'd change jobs, as he did many times, we often had to supply our own wheels for his sales trips. So the bottom line here, is that we were of modest income, living in what can only be considered, a wonderful apartment, with landlords who worked day and night, to keep their building as close to pristine as you could get. I should know, because when they minded me, when my parents were off to work, I did the chores (or created them), alongside Anne and Alec, whether sweeping the halls of the building or cutting the lawn. It had a nice big back yard, with a large wooden structure, a gray painted platform, you had to climb up the stairs, to hang-out your laundry. I used to get up there, against Anne's wishes, and pretend it was a pirate ship. I had a plank for my enemies to walk. I got a big kick jumping off the platform, and it used to drive Anne crazy, trying to prevent me from killing myself, or breaking my legs, before my parents got home at night. I don't think I gave Anne ulcers, but I must offer an apology in case I did. I'm told I've given other people ulcers, but mostly politicians who loathe another of my attack blogs.
     Although I loved my parents, as any kid would under the circumstances of a generally good family life, I would be lying to myself, and you, if I didn't admit they had peculiar social interests. My mother was very attached to her family, in Toronto, and her objection to the move to Burlington, was that it increased the distance she'd have to travel, for visits with her mother and father, sisters (her brother Carmen moved to British Columbia in the 1960's) and cousins, who she was very fond of, and doting. She was the youngest of six children. Ed seemed happiest with the distance between my mother and her family, and I heard enough arguments, at a relatively young age, to know this as true. My mother didn't know how to drive, but she often took me on the bus to visit family, when my father was on one of his extended selling trips. We did have family visits at 2138 Harris Crescent, but mostly it was my grandfather Stanley, and then, only after my grandmother had passed. I won't say that my father was anti-social, but he liked social events on his terms, not by the intrusion of any one else, by happenstance, or a plan he didn't think of first. We did visit family members over time, but certainly nothing that reminds me of anything regular, weekly, or even monthly. They were pretty isolated, and I know now it wasn't my mother's idea. My father had issues from childhood, you see, that had never been resolved. He was a good father, and I adored his company and attention. He also had a wicked temper, but never once raised his hand to me. He left that to his wife, and he told her once, that he had been beaten enough as a child……to never be able to hit his own child, as he had suffered at the hands of his father, and foster parents.
     When we lived in the apartment, rented to us by Anne Nagy, there's no way she could have known that the unpredictable moodiness of my father, was isolating the three of us from the rest of our family. He never seemed to be the type, to those close to him, who could take such a downward turn, or become paranoid…… obsessively worried Merle's family didn't care for him, or might try to break us apart. At times, he was the life of the party. He had a good friend in the apartment, named Eric, and his brothers, one who I think was named "Pilot," who often visited, and they'd often go fishing and drinking……and possibly upset a boat, or fall in the lake, which thank God, never took their lives. When Ed was up for it, he was the life of every party. In later years, his mood swings would become far more acute, and his alcohol consumption much greater. The Burlington years were kinder days for our small family.
       We used to take regular Sunday motor trips, of which Ed was particularly fond, and we'd head to Crystal Beach, Chippewa, on Lake Erie, Milton and Lowville I think it was, where there was a large park with a wonderful frog-filled pond I adored. It was near Rattlesnake Point, I think, but please correct me if I'm wrong. We also used to visit a couple, Merle and Ed knew, by the name of Jack and Agnes, who had two horrible dogs, one being Cocoa and the other being Meg, both kid haters. They scared me half to death, when we'd just arrive, moments earlier, at the house, settle into a chair, and hear Jack unlocking the gate that kept the two huge beasts downstairs. Cocoa got hit by a bus, one day, and it was as if they'd lost a child. It took years for them to get over this. Meg made up the difference, by acting twice as aggressive. But this folks, was our social / recreational / cultural existence. Very thin. The way my dad liked it. Merle loved her friends, and work became very important to her, as it was all her life…..working into her seventies before health forced her to retire.
      But our family life was defined by the place we called home. The Nagy Apartment. It was the place we looked back at, fondly, when we left on our picnic junkets, and it was the dear place we felt embrace us, when we arrived home again…..always to the smell of freshly mown grass, and the scent of dustbane, the dirt suppressor, Anne used on the apartment floors. And on Sundays when we didn't travel, mostly in the colder seasons of the year, I remember sitting at our extended dining room table, with a nice cloth (for Sunday dinner only), and Ed carving-up a turkey or roast beef. I know this for fact, because the dinner on Sunday, provided the leftover meals for the rest of the week……in one form or another. Ed had an electric knife….a new gadget, and as he wasn't handy with power tools, or any tools, we had lots of cuts before dinner.
     On Harris Crescent I learned to out run Peter Bennet's Irish Setter, Dooley, played shinny with Dick and Henry Bosevelt, got Ray Green in trouble constantly, played my first games of billiards at the home of Bobby Crews, slept-over in an old recreational vehicle at Ronny Larose's house, and had lots of neighborhood adventures with fine chaps like Robby Cooper, Freddy Vandermullen, Johnny Burtwhistle and a few other local notables, I knew at Lakeshore Public School. Wait till I tell you about trying to shove poor George down the coal chute at recess. Another day.

     As I began this blog, with the suggestion, that all those, with even a wee inkling, of wanting to start a biography, should comply to the heart's desire. I guarantee, they would feel better about the past, if they wrote it down as a personal or family memoir. Take it from a biographer in action. It's a good, soul flushing, heart rekindling exercise, even when one has to come face to face with tragedy, misfortune and misadventure. Somewhere in the mix, is enough joy and pleasantness, to counter what may not have been so nice. This afternoon, writing this short chapter, I can't tell you how many times, I found myself in a sort of virtual tour back in time, into that apartment on Harris Crescent, such that I could still see the sparkle of freshly mopped hallway floor, and smell the aroma of Anne Nagy's cabbage rolls. It was pretty easy to get back to paradise, by just composing this off-the-cuff biography, that is a mix of self-discovery, nostalgia, happiness, and a little despair at missing so many friends and neighbors for so long. It's amazing, when you zone-out for a couple of hours, with pen in hand, and lots of open pages in a journal, just what memories you can pull back from obscurity…….one avenue of thought, connecting with dozens of others, and pretty soon, you find yourself trying to find your running boots, to go out and play with the old gang again. I like this. It's a way of inviting everybody back to life, who has passed, and reconciling why it has taken so long to cherish those memories again. Most of us find ways of burying or neglecting memories, because someone once told us we should…….and not to, as they direct with a frown, "dwell in the past." As a career historian, and someone who isn't adverse to talking to ghosts, I'm telling you from experience, my life is pleasantly split three ways in thought. I'm a contemporary thinker, a dawdler in times past, and a stalwart futurist, as being an historian….taught me to always prepare for the future.  Give it a try…..this time travel stuff. It's free. You own it. And one day, it might make great reading for your family……to know how you really felt about things.

Wednesday, January 25, 2017

Elmer The Safety Elephant's Negative Side

Elmer the Safety Elephant's Negative Side 

The teachers I remember from Lakeshore Public School in those days of the early 1960's, included Mrs. Stilwell, Mrs. Carter, Mrs. Bielby, and Principal Schantz. Outside of scanning through the old student lists to find my name, they would only have remembered me as the "black face kid," or, that odd looking boy with the "Dumbo Ears."
     One incident that did impact me quite profoundly, occurred during the lunch break, or so I believe. I didn't see the accident myself. I think Elmer the Safety Elephant did. The flag pole was close by, and he was likely flapping in the wind…..yea, like my ears. The school yard, at this time, didn't have much in the way of resources. I don't remember if we had swings, but compared to playgrounds today, it was a tad spartan. So in the winter, the older kids found a way, of creating an ice-strip by packing down an area of snow, and creating a sort of runway in front. They would work over many recesses, attempting to initially, slide on the hard-packed snow. Eventually, they would be able to slide over it enough, to create a fairly long length of black ice. It would have been about thirty feet long, by only several feet across. So the big thrill, was to get it to this level of perfected natural ice, and take a run at it, for a memorable and dangerous slide. You might find twenty or thirty kids lined up for the cheap thrill. It was generally in the same place, each winter, and the teachers on patrol passively tolerated our innocent fun. The problem, as it is for bored kids today, the sliding gig got stale quickly. As the slide was precariously close to a maple tree, or oak in that part of the yard (closest to the front of the school), a few kids got the idea, to jump while in the middle of the slide, and grasp an over-hanging tree limb, to swing from. I remember watching it, and thinking it was pretty neat, to be traveling ten to fifteen feet, at a break-neck speed, and then leaping to grab this overhanging branch. The kids got pretty good at it, but I was still too short to manage it, even with an exceptional leap in the air. (I know, I know, you're thinking about the ears, right).  Well, one day at lunch, after I'd come back to school, there was a lot of activity in this zone, and I'd seen an ambulance leaving the driveway. What I heard had happened, was that a kid had been whipping down that black length of ice, jumped for the branch, missed, fell flat on his back, and hit his head so hard on the ice, that his eye popped out of its socket. No kidding. It was just dangling there. Gross. What makes a kid go and stare at the sawdust layered on the blood, still laying on the ice. I had that stupid image in my mind for decades. It made me sick that day, like the twenty or thirty kids that had to go home ill, after the incident. The kid lived. He got his eye back in the socket. Elmer? Do you know, I can't remember what happened to the flag, on this occasion. I think it was already down because of the other kid's accident…..so maybe this kid got off easy…..other than the eye-popping incident.
     As for academics, cripes I sucked. I had attention deficit disorder before they knew what the hell it was. All I wanted was to be outdoors. Mucking along the banks of Ramble Creek, sending our hand crafted battleships off toward the lake. I had a million outdoor projects that were being delayed by school studies. The lesson I detested the most, was when the teacher, Mrs. Bielby, if memory serves, used to give us these crazy assignments to cut and paste. You had to cut from one page, to glue onto the other, matching up words with drawings. It's not that I didn't know the differences, between a cow and a freaking rabbit. I would just get all excited because everyone else would be half done, before I made my first cut-out. I had a way of getting glue all over myself, as I still do with fix-it projects here at home. Well, when you're working with paper cut-outs, it's definitely a disadvantage to have glued-up fingers. I'd get so angry, with pieces of paper attached to three to five fingers, that inevitably, I'd attach a cow where the rabbit was supposed to go. As the glue got a little gummy, when it was exposed to the air for more than a couple of minutes, there were no "do-overs" once the adhesive met paper. I can still recall the horror, of trying to get the paper square off the wrong category of beast, and looking at the clock to see, that once again, I was in an out of control spin of "stupid." How could you not feel like an idiot, covered in cut-out paper, even glue to my new sweater, and some on my pants. Every time the teacher gave me this assignment, the second verse was the same as the first. "How does this happen Teddy," she'd ask, with a look of shock on her face, that any student of hers could be such a klutz. Well, I can tell you one thing for sure. If I found myself having to do the same exercise today, and she had survived to see me get to this age, let me tell you, history would most certainly repeat. I'd just be older to watch myself crash and burn. The funny side of this, is that I did become fairly proficient in the art of cutting and pasting in the newspaper business, when I worked as an editor with Muskoka Publications. I just had the advantage of having lay-out artists and my beck and call. And no marks given.
     Of other memorable events, at Lakeshore Public School, included the time-honored, kid-adored "Field Days," where even the most athletically challenged kid, could win a ribbon as a participant. I got a lot of "Participant" ribbons back then. I wasn't a bad athlete, and I did get a lot better as time went by, but you see, they didn't have events I might have excelled in……like Ramble Creek jumping, and soaker-getting. I was an accomplished smelt fisherman, and I could catch Suckers with my bare hands. I could climb the trees in the ravine like a monkey, and when someone was chasing me, I could run like an Olympic sprinter. I could catch the "Goody Man's" truck when he turned up on Harris Crescent, even if I was at the lake-end of the creek. If they had conducted races like this, where there was a popsicle treat involved, I would have changed those participation ribbons, to ones of first place gold. But I enjoyed getting out of the school, and the only heartbreak, was when it started to rain before we got outside. If it started raining while we were outside, unless there was a thunderstorm brewing, we usually carried on with the event. So I became very hateful of nature for raining on my parade. I liked my education outdoors. This was a trait through my entire school career.
     Merle was a very defensive parent. She hated when any of my teachers would reference that "Teddy is very shy, and doesn't participate in classroom discussions." "Teddy is always looking out the window, and doesn't seem interested in what is going on in the class." I knew by the look on her face, while she was folding up the report card, that my teacher was going to get a surprise visit. I was never wrong about this either. I went with her once, for a parent-teacher meeting, and all my instructor could do was answer, "But, well, but, but, okay but, well, maybe but, yes Mrs. Currie." I was proud of her for standing up for me, because I was habitually shy. Still am. But Merle felt it was wrong for teachers to feel it was their incumbent duty, to break what I had been born with. "There are many successful people in this world, who have overcome shyness, in time, and never suffered any long lasting disadvantage, because of it." It was written onto an accompanying note, attached to the report card that I had to return to the school. Merle had actually run out of room, on the report card, where it allowed for parental response, and had to use extra note paper. She also chastised the teacher, about the comment she had made about my looking out the window, and not paying attention to the the lesson being taught. 'Well, maybe Teddy is telling you something about the way you're teaching the lessons……because he's interested in a lot of things, if he's presented them with enthusiasm." Merle, in the fog of war, as she saw it, had defended my honor, and privilege of being the kid I was. I have always been a dreamer; a shy kid who saw more potential in the field, with nature my instructor, than jammed into a classroom watching the clock define my day. As a writer, I still seek liberation from the same old, same old. So Merle was both timely and quite perceptive. And as I've also written a biography, of one of Ontario's well known Outdoor Educators, David Brown, of Hamilton, one of my closest friends, my destiny was to learn from paddling a canoe, and being immersed in the wilds……as I so dearly loved in the Ravine of old Ramble Creek. Dave Brown was a teacher, but his classroom was outdoors. This I could enjoy.
     My few years at Lakeshore Public School, were quite memorable, and once I stopped trying to escape, actually became quite enjoyable. There was a basement area, where they'd take us for art classes, and I can always remember the aroma of the watercolor powders, in big cans, and the must of a cool basement. I liked art because there were a lot fewer rules to follow. I was an expressionist painter right off the bat, and despite having to wear a smock, I painted myself handsomely, as well anyone who happened to be sitting beside. I was better than Jackson Pollock. I could paint a Campbell's Soup Can as well as any man, including Andy Warhol. Damn thing, I always got a crappy grade. It may have had something to do with the fact, the exercise wasn't supposed to promote abstraction, and there was never an option to paint a soup can. I always had such a vivid imagination, you see, that I just painted what seemed appropriate, including Ray Green's red hair, "blue." Looked good.
      The favorite part of my early school years' experience, without a doubt, were the "hunt and gather" walks to and from Lakeshore Public. I most often went the back-way, running past Dooley the Irish Setter (it was a good day when I didn't get nipped) through a laneway at the end of our cul-de-sac, which abutted a hydro right of way, with massive towers that I fantasized about climbing…….but only ever touched them, just to say I had! When I walked home along the busy Lakeshore, it was most often at the time when Chestnuts were falling. The first part of the Torrance hillside, heading up to Harris Crescent, had about four to six chestnut trees, and it was what all the neighborhood kids stuffed into their pockets, even with the thorny green husks. The real joy was cracking the brown (toe-like) nuts out of the thick covering, and a lot of my chums took them home, where their mothers helped them drill holes, and make them into long strands on string. You used to see them hanging over hydro lines, all up and down the Lakeshore. I really never understood this part of the chestnut-thing, but what I did appreciate is how bad they smelled, when I'd forget about them in a corner of my room, and they'd begin to grow into something other than a tree.

     But whether I was coming or going, my intent was to enjoy the walk, find interesting things to get-up-to along the way, and pocket what ever I found that seemed too good to throw away. Garbage day was my favorite. As I've written about many times before, I got my start in the antique trade, on these walks to and from Lakeshore Public School. Anne Nagy and my mother, always scanned me thoroughly, before I got to the apartment sidewalk, for undesirable items I might be concealing in my jacket, or trouser pockets. I could see no good reason to let a big iron hinge get thrown out, in someone's garbage, just because it was a little rusty. I knew what Alec Nagy did with spare parts, and how he used them to fix his lawn mower and other groundskeeping equipment. I looked for things to add to my bicycle, and a hinge might have looked neat. By time I'd round the corner off Torrance, they could tell by the droop of my pants, approximately what weight of garbage-picking treasures, I had on my person. I was pretty good at concealing even big pieces, like old hockey sticks I'd find, if I swung by the arena first. I was a junior hoarder. What I did sneak into the apartment….with some minor livestock (crickets and a couple of injured birds; maybe even a squirrel), Merle would begin tossing out, the moment I left for school the next day. If Anne Nagy wasn't careful to disguise the garbage, as only kitchen refuse, I'd have my head stuck in those metal pails every time. "Teddy's in the garbage again, Alec." Anne would yell from the front door. "Get out of there," someone would yell, and I'd be off in a flash. I used to find my own treasures Merle had chucked, so I'd haul them in a second and third time. It was all neat stuff, that would have been wasted at the dump…..when I had a use for it all. Or I thought I did, (the hoarder's credo) at the moment, rescuing some neat article, even clothing, from the wet coffee grounds, and grease covered newspapers. Someone was throwing out an Easy-Bake oven, complete with one cake mix. Geez, how neat was this. So I told Merle that I traded a kid a rusty metal hinge for the oven and cake mix. She actually seemed good with this, though she wasn't sure how Ed was going to react to his son having, what he would have called, "A toy for a little girl." I couldn't have argued about this, because that's how it was marketed on television and in the catalogues of department stores. So we just didn't dwell on the subject, and Merle helped me make the last cake. The light bulb didn't cut it, so I was disappointed. Merle took the still-wet mix, and stuck into her kitchen range, and within minutes, it was done. We both had slices. It tasted like it smelled, when I first took it out of the box for a peak. Well, if "musty" can actually translate into "a taste," then this would explain the most horrible cake ever! "Where did you get this Teddy," she demanded. "You didn't pull this out of the garbage, did you?" she asked, still spitting-out musty cake into the sink. I may have. And then I ran out of the apartment before she could grab one of my big ears.